#81 Hey Jude with James Campion (author, “Sing A Sad Song: The Emotional Currency of Hey Jude”)

Note: PLS LISTEN BEFORE LIGHTING YOUR TORCHES AND GATHERING YOUR PITCHFORKS!

Written as a way to show sympathy and encouragement to young Julian Lennon in the face of his parents’ divorce, “Hey Jude” is obviously one of the high water marks of modern popular music. It’s a brilliantly composed song with a powerhouse vocal from Paul, showcasing his ability to go from the sweetest, most emotive and sensitive places to an absolute beast, shredding his voice and screaming from the pits of his you know whats. The rest of the lads turn in a perfect accompaniment, all serving the song as it builds to a chorus that is the prototype for the lighters-aloft stadium anthem, designed to unite masses of people. I’ve experienced what I think may be the closest thing to nirvana singing along to this with Paul and 70,000 strangers, and it’s amazing. But once you’ve done that, and you’ve heard the record a million times, that record doesn’t really compare to that moment. In fact, I find myself not really connecting to the record in that way at all anymore, and more often than not, rarely choose to listen to it. It’s a victim of overexposure in a way, but maybe that’s just a me problem?

To help me sort this out, we’ve called on our old friend James Campion, who literally wrote the book on the subject, Sing A Sad Song: The Emotional Currency of Hey Jude. James joins us to chat about subjective preference vs objective quality, Paul’s ultimate flex, Ted Lasso parallels, and his upcoming book on Price. Follow along with all things JC at ⁠⁠jamescampion.com⁠⁠, and ⁠⁠order a copy of his book⁠⁠ while you’re at it!

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